Jewelry Art

l_spragins asked:


i don’t want to find more jewelry-but tablescapes or like collage art

jim4143 asked:

Here is a video gallery of some of the work that we have produced in our studio. Enjoy!

Candace Daugherty asked:


I have been collecting Antique and Vintage Costume and Fine Jewelry for over three decades. Most of what I bought was from the Saturday and Sunday flea markets at the local drive-in theater and at a once a month massive open air antique market held in the mountains near where I grew up. I never paid much, a quarter here, a dime there and sometimes a few dollars however over the years until I really became a serious collector, I probably had no more than $500.00 in an amazing collection of over 2,500-3,000 pieces. 

Over the years I have collected many types of jewelry. At first it was bracelets, then rings and when I got out of college and pursued my career as an interior designer, I found pins and earrings to be practical and suitable. In the mid-60’s to early 70’s I bought a lot of colorful and heavy “plastic” pieces and most were bracelets. I just loved the dull clunk they made when they hit against my desk… well I am sure you know where this is going… you’re right most were Bakelite. One in particular is a wonderful art deco black, red, orange, yellow and green fins clamper bracelet and it is like having a carnival on your arm. It fits great and feels sturdy andit brings me joy. It wasn’t until I received Harrice Simons-Miller 2002 third edition Official Price Guide to Costume Jewelry, that I realized the bracelet is called “Philadelphia” and has a market value of up to $5,000 making it the Holy Grail of Bakelite jewelry.

I also became quite passionate for the charm bracelets made in the 1960’s by Napier. At one point I had over 30 of them and I rarely wore them I just loved holding them. I had the colored fruit, the Asian theme, and my favorites was the marine theme with seashells and seahorses. Over the years I paid between $1.00 – $5.00 each for them and in early 2000, I sold them individually on eBay for $125.00 and up to 245.00 each. What a great return, right. Well yes but a day does not go by that I regret selling them. They gave me more happiness than the monies they brought.

As I became more sophisticated in my jewelry search I began to love all things Miriam Haskell, Eisenberg, Pennino and Boucher. All of these names seemed to come with a higher price but still affordable and all quite luxurious. Then there came Staret, McClelland-Barclay, Schreiner, Dujay, DeMario, Reja, Deja and Alfred Philippe and Alfred Spaney’s extra special pieces made for Crown Trifari. Needless to say I was smitten and would never turn back. After a while and as I was getting older, I started to understand the beauty of 19C Victorian and Art Nouveau and in particular the mourning pieces made during and after the Civil War. The Art Deco period pieces also caught my attention because of their architectural angled designs. Well enough about me… 

Throughout the years it was truly guesswork as to what I should pay for a piece and then the harder part came when trying to find out how much a piece was worth. As a result I found that the public library had many jewelry price guides and I poured through them all for days on end and would pick out my next piece I was obsessing for. Through this research, I found three authors who stood out as being the best at giving the right information for just about anything you might need to know as an antique and vintage costume and fine jewelry collector or dealer.

The first is Jeanenne Bell. Jeanenne Bell has been on Antiques Roadshow as a jewelry appraiser and is one of America’s leading authorities on antique jewelry. She has written many books and the first book I bought of hers was “How to be a Jewelry Detective”. This book is filled to the brim with priceless information about the clues to solving jewelry mysteries. She gives easy to understand tips for testing materials, gem cuts, hardware and findings throughout the ages, marks and a whole lot more. I have recommended this book to literally 100’s of my buyers on eBay who may not be sure what gutta percha is, or is it ivory or bone and what is a briolette cut stone. She answers them all and she even has a small pocket size field guide to take along to the shops and flea markets.

My favorite book of hers is Collecting Victorian Jewelry which is a real treat for the eyes and is beautiful enough to be left out for others to peruse. In this book she shows an amazing range of incredible museum quality pieces of Costume and Fine jewelry. Each piece is a work of art and each has an easy to understand description and value assigned. She imparts the history associated with the Victorian era and who all of the main characters were. She enlightens the reader about this period in time that was all about romance, passion and heartache. Very good read and a very good aid to the serious period piece collector.

My next favorite author is Harrice Simons-Miller. I have two of her price guides, Costume Jewelry 2nd edition and Official Price Guide to Costume Jewelry 3rd edition. What I love about her books is that she knows her stuff as it relates to costume jewelry dating from early Art Deco up to the present. Her books are very good for identifying the major players in the costume and fashion design industries. She really clarifies what each jewelry designer’s signature look is and her photographs and descriptions will give you an edge when you are out in the field. Her values are truly representative of retail in fine antique or jewelry boutiques and give the reader the parameters as to what to spend to get your jewelry collection “fix”. She has bought from me on eBay on a couple of occasions and each piece she purchased was always a little odd and unexpected, making me think she knew of or was creating a trend which others were yet aware.

My third favorite author is Roseann Ettinger. She has a series of price guides that are not only about jewelry but other vintage collectibles with a lot of concentration on fashion and the fifties. Her jewelry price guides include her “popular” series and include “Forties and Fifties Popular Jewelry”, “Popular Jewelry of the 60’s, 70’s and 80’s” and my all time favorite of hers “1840-1940 Popular Jewelry” the revised 3rd edition. Her price guide covers jewelry pieces that you actually might come across and be able to own for not a lot of money. Unlike Bell and Simons-Miller who are showing museum quality and hard to find pieces, the pieces shown in Ettingers are really quite attainable and I have actually had many of her pieces that she has described. Her photographs are quite large making it easy to see the details of the pieces and she doesn’t dwell on the glitzier side of jewelry but the real down to earth stuff that most of our mothers and grandmothers would have worn.

There are many great costume jewelry price guides out there from Nancy Schiffer, Lillian Baker, Christie Romero for Warman’s, Cheri Simonds, Ronna Lee Atkins and more, but my first three will give the beginner or even well seasoned antique and vintage costume or fine jewelry collector or dealer a well rounded wealth of knowledge and pricing guidelines.

For even more super jewelry tips and great jewelry to buy, visit Virtual Gems Emporium at www.virtualgemsemporium.com. Registration is free and easy.

About the Author: My name is Candace Daugherty and I live near Charleston, South Carolina. I am an entrepreneur and have worked as a retail design and marketing consultant with many internationally known retailers and fashion designers over the past 30 years. My true passion however is Antique and Vintage Costume and Fine Jewelry. I have collected jewelry for over 35 years and own many incredibly fabulous book pieces as shown in the many of the jewelry price guides discussed above.

Since October 1, 2008,  I along with three others have founded the first of its kind, an exclusive auction boutique for antique, vintage and new costume and fine jewelry. We started Virtual Gems Emporium at www.virtualgemsemporium.com with three philosophies in mind. The first is to be a specialty boutique in an Auction Venue just for the collector and specialist of antique and vintage costume and fine jewelry. The second is to be the lowest cost auction or fixed price venue on the internet. And the third is to put the entire Virtual Gems Emporium community first with unbelievable customer service and fair equal treatment of all trading partners.

www.virtualgemsemporium.com

trank123 asked:

My jewellery “DRAGONFLY MECHANICAL” my artistic projekt firm. STUDIO ART.BIZUT. ART. POLAND GDANSK ,galery http://www.jony11.gallery-art.pl/internet,http://www.jony11.gallery-art.pl/

leighlovesrobbie asked:

girl gets her septum pierced at a professional tattoo shop.

nashoba asked:


My sister makes beautiful jewelry, but she only gets $10 – $25 a piece at craft fairs. I have seen jewelry that looks just like hers in an art gallery asking $l,000 or more.

vronny2000 asked:


I want to buy this ring at JC Penney but it is not real diamonds? It is called diamond art and I have never heard of it? I don’t know if it is like cubic zerconium? My question is has anyone ever puchased diamond art jewelry before and does it look real fake???? I want the ring so bad but I don’t want everyone to know it is not real. Please let me know.

theshowcasenetwork asked:

The hottest video network featuring the hottest properties, vehicles, jewelry, art, etc.. all available for sale!

Carolina Gonzalez asked:


One day, you buy your first plier and some rolls of wire and make your first loop. Disastrous, of course. You add one bead and painstakingly get to add the hook and you feel like the Queen of Jewelry Land. You actually get it to make a pair. Double feeling of being the queen.

Years go by and you keep working. Adding the hooks does not take hours anymore, so you start adding little embellishments, maybe a spiral loop. During these years, you learn the hard way all the ways you can make mistakes in this business. A few times along the way you decide you won’t make it anymore and maybe ramble with other arts, but pliers and wire always call you back and you find yourself awake at 5 AM because you suddenly woke up with that necklace design in your head. But it’s not easy. It makes you mad to think “why others can?” while you can’t seem to make it. Your artist ego is frustrated. You are tired of going nowhere. Things like marketing, advertising and promoting sound like from another world. A scary world. You’re an artist, you’re not a salesperson. But maybe you can’t quit your day job because you wouldn’t bay your bills selling jewelry.

But then, one day, you start working patiently and silently. Do not argue anymore about your doomed fate and overcome yourself by working seriously, making a business plan that works and give good results soon. You find ways to promote yourself that are easy and enjoyable and learn the right way to work a business. A real one that grows and grows in many directions.

What happened to you?

Well, you just lost your ego. Your amazing power to make each of your dreams come true can now arise and materialize. Obviously you don’t need this article at all but if you feel still included in the second paragraph, maybe you should keep on reading this

7 Tips to Be a Better Jeweler: The Ego Issue

According to both Buddhism and Psychology, your ego is a small angry child that never grew up. Instead of thinking rationally, we humans tend to act forced by that little child that, of course, cannot manage with an adult’s issues and just cries and moans and get completely paralyzed in fear of the unknown. Surprising, ah? If you ask yourself too much things like “Why do I never have luck?” or “Why does this always happen to me?”, maybe you’re letting that little child control your life.

The key to personal (and world) happiness is putting that child to rest letting it flow through creative activities, love and self – acceptation, but making choices with a higher conscience. Good choices bring happiness to us and good energy to the Universe, that will flow back to us through opportunities helping us achieve our full potential. As artists, we are even more inclined than many other people to reach a higher state of consciousness, so it should be easier for us to understand this facts.

1: You can always make it better.

Ego says: “I’m very very good” but really, how good you are? This is a very competitive world and you must be objective about the quality of your work. How can your jewels be improved? Can they be safer? Have you double-checked everything before you package it? Are you selling something that may eventually break or fall off?

Remember that the kind of customer that you will die for is one that looks for quality and durability. A very good question to ask yourself is “Would I pay that money for this jewel?”

2: You can always treat your customers better.

Ego says “Making that custom gift box is really hard work, and for free!” Please, be more respectful with your customers! Some of the money they pay for a (never forget that) completely unnnecessary item you sell is very hard-earned! From all the jewelers around they’ve chosen YOU! There is always time to add and extra gift for a good customer. As artisans we need customers that come back again and again, and that always think of you first when they need a special jewel for their social events or gifts. We need a customer that speaks wonderfully of our work and bring new customers with them so, what do people find when they meet you, whether if the meeting is at your studio or at your booth? Treat them all the same, whether if they make big of small buyings. Know them as much as you can and try to put all your best efforts to make them feel at home with you.

3. Work hard to find your own style.

Ego says “Oh, my style is truly unique!” but the truth is that there is almost no such thing in jewelry business, or in any art business. Finding your own way includes a LOT of constant learning and humility. Strive to make the jewel you really dream of and do not feel pressured by what you can sell or whom you can sell to. If your pieces breath uniqueness they will sell out.

4. Give and Teach as much as you take and learn from others.

Ego says “oh, if I share my techniques everyone will make copys of my work and sell more than me for sure” Really, have you heard how childish that sounds? Change your view about yourself and ask yourself if someone could envision you as a master in your particular style.

Sharing your techniques, whether as downloadable files for small prices (tutorials are usually very cheap) or simply for free like I’m doing now, will not only improve your business karma wonderfully, but also will make you get a lot of respect from learners and professionals alike. Building a good reputation will mean a good percentage of your sales one day, but you have to start now.

5: Forget about inspiration

Ego says: “I’m an artist, I can’t work if I’m uninspired”…well, and Pablo Picasso said inspiration exists, but it has to find you working. Who do you believe? I chose to believe Master Pablo, of course. Inspired or not, work everyday. I’m sure there are a lot of “office issues” like web updating, taking better pictures of your items, making tags or whatever that you have pending, as we all have, that you can make it on your uninspired time. My husband is an electrician company director and he goes to work everyday, whether if he’s inspired or not! Why should I have that privilege?

6. You can make your own ways to sell and promote your work

Ego says “I’m an artist, I can’t deal with sales and publicity. That’s not what an artist is supposed to be.” Something I really hear a lot. I truly believe that, as artists, we are even more able to sell ourselves than other professionals because creativity is the real key to publicity success. The true instinct to find beauty is inside every true artist. Though I think is essential to read a good quantity of marketing articles, we have an ability to create that is a natural advantage. Again, change your point of view about yourself and create new ways to promote your work.

7. Don’t take critiques personally

Ego says “Oh, that person I don’t know at all thinks my jewelry is awful…I am a complete failure!” Well, you don’t like everything, so don’t expect your jewelry to be loved by everyone. What a person says about your work may be influenced by many things that do not have to do with your work at all. Be always ready to follow positive advice inmediatly, but don’t let other people’s feelings reflect on you self image. Remember, maybe that person is also talking through her/his little angry child!

Epilogue

Learning the business takes time and effort. There is no instant success and if there is, it will pass soon leaving you wondering what you did wrong… and making you learn another good lesson – which should always be seen as a valuable thing. I am personally guilty and all crimes said above and in many, many more that have turned into a deeper knowledge of myself, my work as an artist and the world around me. I am very proud of all my mistakes, in fact!

We all are on an endless road of personal growing, with no finish line. There is always someone wiser than us and someone that may need our advice as well. I really hope this article helps you in your way to reach complete success; knowing that you’ve found your way is one of the highest feelings a person can have… and you deserve to have it too.

BradenHammondGlass asked:

This video is a documentary piece that followed me in the Winter of 2006. It was an awesome time filming this project!! Special thanks to Blake Laing-Smith and his crew for all of his hard work.